“Langman’s RBG is an indomitable force of nature. There is not a second when she fails to compel our rapt attention…This is a memorable tour de force performance that will likely make any regular Chicago theater-goer want to short list seeing any play Langman is in…Lovers of great acting will find much to admire in Langman’s future performances.”
— Amy Munice, Picture this Post
“Talia Langman plays the honorable RBG incredibly! She nails RBG’s contemplativeness and mannerisms to a T. The ease by which she transitions from the RBG of the present moment into the Ruth of the past—and back and forth again—is lovely.”
— Julia W. Rath, Around The Town Chicago
“Talia Langman not only plays Ginsburg to perfection, but she effortlessly morphs from the justice’s youth and early career days into the increasingly fragile, older, but ever feisty figure so emblematic of Ginsburg’s years on the Supreme Court...A simply wonderful performance by Langman.”
— Hedy Weiss, WTTW
“Talia Langman is an inspired casting choice for the lead role. Langman is fierce and very human in her portrayal.”
— Nancy Bishop, Third Coast Review
“Outstanding performance by Talia Langman...When Langman auditioned for the role, the director must have said, ‘We’re done here. She’s perfect.’ ”
— Mira Temkin, Loop North News
“Talia Langman expertly captures Ruth Bader Ginsburg at all ages. She also passionately conveys Bader Ginsburg’s dedication to gender equality and her fierce Feminism.”
— Mara Tapp, Theater Raves
“Talia Langman is a solid anchor for the cast as Ginsburg herself. She shifts ably from the frail, pain-riddled woman in the present to the steely resolve of the girl from Brooklyn.”
— Christine Malcom, Talkin’ Broadway
Romeo & Juliet
“Lady Capulet (Talia Langman)… are played like rafts caught in a riptide, masking the anguish they feel at seeing their young wards succumb to turbulent emotion by putting on soft yet dutiful façades. Whether you’ve seen Romeo and Juliet once or a hundred times, this talented cast will make you fall in love with these classic characters all over again.”
— Tristan Bruns, NewCity Stage
Proof
“The four-member cast is brilliant...As Claire, Catherine’s older, caring but more business-minded sister, Talia Langman is excellent.”
— Colin Douglas, Chicago Theatre Review
Perfect Pie
“Movingly and believably portrayed by Gwydion’s four-person cast...played as a grownup with a more subdued, veiled quality by Talia Langman...The acting is universally top-notch, pulling us into the lives of these once-intimate friends who have developed in such diametrically different ways. It’s not easy to be fully plausible and highly dramatic, but both sets of performers manage it, mainly by being so closely attuned to the other. Together, the actors draw a convincing portrait of a scary and repressed past, rendered all the more chilling by the outwardly placid, “Rebecca of Sunnybrook Farm” setting.”
— Hugh Iglarsh, Newcity Stage
Cymbeline
“Cymbeline’s scheming wife (played with juicy malice by Talia Langman)...”
— Mary Wisniewski, Newcity Stage
Melancholy Play
“Talia Langman stepped in the night I attended and was wonderful in the role of Frances’ paramour, Joan – a British nurse.”